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Tag Archives: Ever Meulen
With The Brusseler (probably prononounced more like The Brusselair, I guess), the Brussels Maison de L’Image wants to pay tribute to the iconic covers of the equally iconic magazine, The New Yorker, by bringing together Belgian and international artists and illustrators … Continue reading
As the annus horribilis that was 2020 is long gone by now, and two new issues have been published in the mean time, I think the good people at Humo Magazine won’t mind my sharing the splendid cover that Ever … Continue reading
For a special edition of the participatory dance festival Bal Moderne later this month, Ever Meulen adapted the iconic poster he created for the series of Brussels events with a little exotic touch. I personally preferred the echos of Henri Matisse’s … Continue reading
2016 may have been a real downer of a year in terms of people dying and other people winning, at least it ended with a flickering light of hope. The final issue of Flemish media magazine Humo sported a cover … Continue reading
Back when unemployment and new wave ruled the land, and Ever Meulen was still Eddy Flippo, he created the artwork for this poster for a nationwide youth club tour held in Belgium in 1981. Like no other he captures the … Continue reading
A couple of months ago (make that half a year, more like), I mentioned the statues that Ever Meulen designed for my home town. Since then two more statues have been added to the series, making it a total of … Continue reading
The city where I live played quite an important role in the history of rock music in Belgium, and music festivals in particular. From its inception in 1965 until its demise in 1981, Jazz Bilzen was one of the most … Continue reading
It has been a very long time since Ever Meulen last created the cover for Humo, the magazine in which he published his first illustrations and for which he created some of his most famed imagery. This week though, the … Continue reading
Flemish magazine Knack recently published a special on the future of cars, and picked a very dynamic illustration by Ever Meulen for the cover, featuring a version of Ever’s own Nisiov design. I’m not sure whether it was included in Ever’s … Continue reading